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On Friday, April 24, the Center for West European Studies, with the Division of Spanish and Portuguese and the Instituto Cervantes, will bring together a Spanish woman film director and four distinguished scholars of Spanish film, to discuss women on the other side of the lens in Spanish film: directors, editors, cinematographers. These visionary cinematic voices are rarely heard, and their distinctive angle often refreshes and surprises audiences. Five new features and short films allow viewers to explore the diverse array of themes women in film are confronted with and expand traditional notions of “women’s issues.”
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UNIVERSITY OF WASHINGTON, Seattle |
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TAKE MY EYES Te Doy Mis Ojos | Icíar Bollaín | Spain | 109 min. | 2003 | |
| 2004 Goya Awards for Best Director and Best Film. One of Spain’s most gifted directors, Iciar Bollain, takes on a provocative topic, domestic abuse, without resorting to conventions like overt physical violence or wholesale demonisation of the perpetrator. Instead, she plumbs the rich psychology of characters, revealing the perverse interdependence between a husband and wife and the intricate ways both are trapped in a private hell. Set against the gorgeous backdrop of Toledo, and starring Laia Marull and Luis Tosar as the couple in question-both of whom eminently deserve the best actor awards they received at the 2003 San Sebastian Film Festival-Take My Eyes is Spanish film-making at its best. ’A fine script, piercing central performances, a provocative piece.’ - Variety | ||
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THE CLASSROOM La Clase | Beatriz M. Sanchos | Spain | 20 min. | 2008 | |
| The Classroom explores the magic of a first time experience. The pupils of a 4th grade primary class take their first drama lessons. We accompany the children through the learning process, from first rehearsal to opening night before an audience of parents. | ||
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ELEGY | Isabel Coixet | Spain/ U.S. | 113 min. | 2007 | |
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With Sonja Bennett, Patricia Clarkson, Penélope Cruz Driven by Isabel Coixets visually assured and deeply observant direction, Elegy charts the turbulent relationship between an aging, celebrated college professor, and his student. As their intimate connection transforms them more than either could imagine a charged sexual contest evolves into an indelible love story. With humanistic warmth, wry wit and erotic intensity, Elegy explores the power of beauty to blind, to reveal and to transform. Starring Academy Award®-winner Ben Kingsley and Oscar®-nominee Penelope Cruz, with extraordinary supporting performances from Dennis Hopper, Patricia Clarkson and Peter Sarsgaard, Elegy is based on Pulitzer Prize-winner Philip Roths short novel The Dying Animal. |
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SHE LIES Miente | Isabel de Ocampo | 15 min. | 2008 | |
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Doina wants to give a birthday present to her young sister, but it isn’t that easy. Goya Award 2009 as Best Short Film. To view a preview CLICK |
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THE BEST OF ME Lo Mejor de Mi | Roser Aguilar | Spain | 83 min. | 2007 | |
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With Marian Álvarez, Juan Sanz, Lluís Homar. In her début film, director/writer Roser Aguilar makes the perfect addition to an emerging talent team with producers Aintza Serra and Ester Velasco. Locarno award-winning actress Marian Álvarez stars in this emotionally honest melodrama as Raquel, a young woman conflicted about serving as an organ donor for her lover. The dilemma: the lover has been cheating on her, and a nurse deems him unworthy of Raquel. The Hollywood Reporter praised Aguilar’s film: “The strength of Álvarez’ performance adds depth to the picture’s wise and melancholy conclusion.” |
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SKUNKS Mofetas | Inés Enciso | Spain | 11 min. | 2007 | |
| The sun sets at the Tanger Port Authority. Karin and Aziz wait in silence, or they try to… | ||
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PRETEXTS Pretextos | Silvia Munt | Spain | 88 min. | 2008 | |
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With Silvia Munt, Laia Marull, Ramon Madaula. Silvia Munt, one of Spain’s finest actresses, makes an impressive directorial début with a film she describes as being “written by and for women” and for which she was named Best Director at this year’s Málaga Film Festival. The screenplay, written by Munt with Eva Baeza, offers intricate parallels and emotions as it examines the complex and contradictory lives of theater director Viena (Munt) and her husband Daniel (Ramon Madaula), a doctor in a geriatric clinic. |
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LIBRA | Carlota Coronado | Spain | 4 min. | 2006 | |
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Carlota reports strongly about everyday’s issues creating a high impact in this very short film. This is a very short film with a great impact Two weeks. That’s what Libra’s main character asks for. |
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53 WINTER DAYS 53 dias de invierno | Judith Colell | Spain | 91 min. | 2007 | |
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Screenplay, Gemma Ventura. With Mercedes Sampietro, Alex Brendemühl. "One winter’s night, three people waiting for a bus look on as a dog is abandoned. Gentle, character-based "53 Winter Days" interweaves three naturalistic short pieces about troubled lives—one psychological, one emotional, one social—into an unexpectedly resonant, understated whole, and through its themes—loneliness, communication breakdown, the great importance of small events—makes for sporadically powerful and moving viewing. First-time Spanish filmmaker Judith Colell and scriptwriter Gemma Ventura skillfully interweave a trio of stories into a powerful existential experience." - Variety, Jonathan Holland FILMMAKER IN ATTENDANCE! |
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THE HAPPY MAN El Hombre Feliz | Lucina Gil | Spain | 14 min. | 2006 | |
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Gil’s keen eye responds to this daring and good humores question: Does the Happy Man Exist? |
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