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This film series of five new features and shorts honors achievements and contributions by Spanish women in the areas of directing, screenwriting, editing, and other disciplines. These visionary cinematic voices present audiences with provocative, distinctive, refreshing, and surprising perspectives. Viewers will be challenged to explore the diverse array of themes confronting women in film as well as traditional notions of women’s issues. All films have English subtitles. |
THE KING JUAN CARLOS I OF SPAIN CENTER, NYC |
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53 WINTER DAYS 53 dias de invierno | Judith Colell | Spain | 91 min. | 2007 | |
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Screenplay, Gemma Ventura. With Mercedes Sampietro, Alex Brendemühl. "One winter’s night, three people waiting for a bus look on as a dog is abandoned. Gentle, character-based "53 Winter Days" interweaves three naturalistic short pieces about troubled lives—one psychological, one emotional, one social—into an unexpectedly resonant, understated whole, and through its themes—loneliness, communication breakdown, the great importance of small events—makes for sporadically powerful and moving viewing. First-time Spanish filmmaker Judith Colell and scriptwriter Gemma Ventura skillfully interweave a trio of stories into a powerful existential experience." - Variety, Jonathan Holland FILMMAKER IN ATTENDANCE! |
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THE HAPPY MAN El Hombre Feliz | Lucina Gil | Spain | 14 min. | 2006 | |
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Gil’s keen eye responds to this daring and good humores question: Does the Happy Man Exist? |
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SEVEN BILLIARDS TABLES Siete mesas de billar francés | Gracia Querejeta | Spain | 113 min. | 2007 | |
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With Maribel Verdú, Blanca Portillo, Victor Valdivia, Jesús Castejón. Upon receiving the news that her father is ill, Angela (Maribel Verdú), and her son Guille, travel to the capital. She arrives too late, and her father’s long-time girlfriend, Charo (Blanca Portillo), explains that the business is far from good. The business in question is a billiard hall with seven tables. Over theyears, it has has lost it all: style, clients, and money. An idea occurs to Angela: Why not take over the business and try to turn it around? The film display a superb narrative that lead us to a simple, and perfect, ending. Nominated for 10 Goyas (Spanish Cinema Awards) & 9 Spanish Critics Circle Awards, the film is not just a showcase of magnificent performances by Maribel Verdú (Pan’s Labyrinth) and Blanca Portillo (Volver). It is also a proof of Gracia Querejeta’s rich talent, crowning her as one of the most interesting yet solid filmmakers working today.
To view a preview CLICK |
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SHE LIES Miente | Isabel de Ocampo | 15 min. | 2008 | |
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Doina wants to give a birthday present to her young sister, but it isn’t that easy. Goya Award 2009 as Best Short Film. To view a preview CLICK |
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THE BEST OF ME Lo Mejor de Mi | Roser Aguilar | Spain | 83 min. | 2007 | |
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With Marian Álvarez, Juan Sanz, Lluís Homar. In her début film, director/writer Roser Aguilar makes the perfect addition to an emerging talent team with producers Aintza Serra and Ester Velasco. Locarno award-winning actress Marian Álvarez stars in this emotionally honest melodrama as Raquel, a young woman conflicted about serving as an organ donor for her lover. The dilemma: the lover has been cheating on her, and a nurse deems him unworthy of Raquel. The Hollywood Reporter praised Aguilar’s film: “The strength of Álvarez’ performance adds depth to the picture’s wise and melancholy conclusion.” |
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SKUNKS Mofetas | Inés Enciso | Spain | 11 min. | 2007 | |
| The sun sets at the Tanger Port Authority. Karin and Aziz wait in silence, or they try to… | ||
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THE HONOUR OF THE WRONGED El Honor de las Injurias | Carlos Garcia-Alix | Spain | 87 min. | 2007 | |
| This magnificent documentary displays the extraordinary achievements of researcher Lucia Lain and producer Isabel de las Casas. The film is a testament to an obsesion: the passionate search for an old anarchist gunman, Felipe Emilio Sandoval, a.k.a. Doctor Muñiz (1886-1936). Lain’s keen eye for uncovering material from archives and registers, old movies, and photographs, contributes immensely to the creation of a deeply modern historical document. The invisible hand of Isabel de las Casas is felt throughout the film, in the manner of a music conductor leading an orchestra. | ||
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THE CLASSROOM La Clase | Beatriz M. Sanchos | Spain | 20 min. | 2008 | |
| The Classroom explores the magic of a first time experience. The pupils of a 4th grade primary class take their first drama lessons. We accompany the children through the learning process, from first rehearsal to opening night before an audience of parents. | ||
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PRETEXTS Pretextos | Silvia Munt | Spain | 88 min. | 2008 | |
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With Silvia Munt, Laia Marull, Ramon Madaula. Silvia Munt, one of Spain’s finest actresses, makes an impressive directorial début with a film she describes as being “written by and for women” and for which she was named Best Director at this year’s Málaga Film Festival. The screenplay, written by Munt with Eva Baeza, offers intricate parallels and emotions as it examines the complex and contradictory lives of theater director Viena (Munt) and her husband Daniel (Ramon Madaula), a doctor in a geriatric clinic. |
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LIBRA | Carlota Coronado | Spain | 4 min. | 2006 | |
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Carlota reports strongly about everyday’s issues creating a high impact in this very short film. This is a very short film with a great impact Two weeks. That’s what Libra’s main character asks for. |
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