Jaume Balagueró
Spain / 2011 / 101 min / Spanish with English subtitles
With Luis Tosar, Marta Etura, Alberto San Juan
Toiling silently amongst the residents of an everyday Barcelona apartment building, doorman Cesar (a wonderful Luis Tosar in the best performance of his career) harbors a dark secret: his sole desire in life is to make others unhappy. When he sets his sights on Clara, one of his building’s cheeriest residents, his sick need blossoms into a full-fledged obsession. Embarking on a series of private and physical violations against Clara, Cesar becomes determined to ruin her life by any means necessary. Becoming the boogeyman hiding under the bed and bringing her nightmares to life, his fascination with torment soon crosses the line into lunacy – and his thirst for others’ sadness soon becomes manically unquenchable. Acclaimed Spanish director Jaume Balagueró, co-creator of [REC] and [REC] ², delves into the perverse fantasies of a man on the brink, and delivers an unnerving tale of obsession and torment that delivers nonstop thrills right up to its shocking conclusion.
Gaudí Awards
- Best Director, Best Screenplay, Best Film not in the Catalan Language, Best Performance by an Actor in a Leading Role, Best Film Editing, Best Sound Awards
Goya Awards
- Nominated for Best Actor Award
Fantastic Fest
Australian Spanish Film Festival
Quotes
"The saying goes that good help is hard to find — but really, really bad help masquerading as good help makes for a deliciously slow burn modern horror film." - Lisa Nesselson, SCREEN DAILY
"It is Tosar’s performance that ensures the feature reaches creepy, chilling heights. Imbuing such a disturbing character with unexpected empathy, his portrayal is so convincing that he eclipses his co-stars." - Sarah Ward, ARTS HUB
"Balagueró creates scenes that are the definition of nerve-jangling, not necessarily because of the threat of extreme physical violence -- though that's an always-present concern when you're dealing with a villain this cruel -- but because it's dangling out at the edge of believability." - Peter Martin, TWITCH