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SFC EVENTS / 2008 LATINBEAT: FROM THE FILM SOCIETY OF LINCOLN CENTER TO SPAIN

THE FILM SOCIETY OF LINCOLN CENTER, New York
ShortMetraje: New short stories from Spain | December 14-18, 2008
GENE SISKEL FILM CENTER, Chicago
FESTIVAL OF NEW SPANISH CINEMA | December 5-29, 2008
UNIVERSITY OF OREGON, Eugene
FESTIVAL OF NEW SPANISH CINEMA | November 17-23, 2008
NORTHWEST FILM CENTER, Portland
FESTIVAL OF NEW SPANISH CINEMA | November 21-December 11, 2008
NORTHWEST FILM FORUM, Seattle
FESTIVAL OF NEW CINEMA FROM SPAIN | November 14-20, 2008
MIAMI INTERNATIONAL FILM FESTIVAL, US
FESTIVAL OF NEW SPANISH CINEMA | November 5-9, 2008
FILMOTECA REGIONAL DE CASTILLA Y LEON, Spain
LATINBEAT: From de Film Society of the Lincoln Center to Spain | November 18-December 23, 2008
FILMOTECA CANARIA, Spain
LATINBEAT: From the Film Society of Lincoln Center to Spain | October 3-17, 2008
FILMOTECA DE CANTABRIA, Spain
LATINBEAT: From the Film Society of Lincoln Center to Spain | July 9- August 17, 2008
CIRCULO DE BELLAS ARTES, Spain
LATINBEAT: From the Film Society of Lincoln Center to Spain | July 15-20, 2008
FILMOTECA REGIONAL FRANCISCO RABAL, Spain
LATINBEAT: From the Film Society of Lincoln Center to Spain | May 20-25, 2008
VARIOUS VENUES, US
DOCUSPAIN: Spanish Documentary Tour | February 15- November 29, 2008
MEDINA DEL CAMPO FILM FESTIVAL, Spain
American Spectrum: Short films from the Americas | April 11-19, 2008
ESCOLA TECNICA SUPERIOR D’ARQUITECTURA DEL VALLES, Spain
Dissensus. Architecture, Politics and Cinema | March 26, 2008
EL MUSEO DEL BARRIO, New York
Latinoamerican Women Celebration | March 5, 2008
BFI SOUTHBANK, London
Spain (Un)censored | January 15 through 17 February, 2008
BFI SOUTHBANK & INSTITUTO CERVANTES, London
Other events celebrating Spain (Un)Censored | January 15 through 17 February, 2008
THE KING JUAN CARLOS I OF SPAIN CENTER, New York
Documenta Spain | February 5- March 25, 2008

Every September, the FILM SOCIETY OF LINCOLN CENTER organizes LATINBEAT, one of the city’s most successful film series . LATINBEAT 2007 featured 23 films from 12 Latin American countries, including a strong presence from often underrepresented filmmaking countries. Now, for the first time, FILM SOCIETY OF LINCOLN CENTER in collaboration with PRAGDA, presents it in Spain. A selection of six titles that premiered in New York City during 2007 will visit Circulo de Bellas Artes in Madrid. These films coming from Mexico, Argentina, Ecuador, Brazil, Colombia and Bolivia will portrait the trends in Latinoamerican filmmaking!

FILMOTECA REGIONAL DE CASTILLA Y LEON, Spain
Latinbeat: From the Film Society of Lincoln Center to Spain
DATE: November 18-December 23, 2008
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NEVER ON A SUNDAY Morirse en domingo | Daniel Gruener | Mexico | 120 min. | 2006
After a long illness, Justo Salas has the bad judgment to die at home on a Sunday, when all the mortuaries are closed. His family is forced to hire––and pay through the nose for––a “buzzard,” an office clerk who can be bribed to allow for funeral and cremation services. Plenty of complications ensue.
35mm print source Altavista Films
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A TON OF LUCK Soñar no cuesta nada | Rodrigo Triana | Colombia | 96 min. | 2006
Based on a true story, A Ton of Luck is an insightful validation of an age-old piece of advice: if it’s too good to be true, it probably is. A battalion of anti-guerilla forces on a rescue mission in the jungles of Caqueta stumbles on a massive stash of drug money. Believing the find will change their lives forever, the soldiers divide the cash––without any way of getting it back to civilization. Rodrigo Triana’s film runs over with humor, absurd plot twists and tragic spins, which led the film to box office success in Colombia. A powerful and unforgettable look at human nature, greed and the dangers of the all-too-easy opportunity.
35mm print source Eurocine Films
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THE MOST BEAUTIFUL OF MY VERY BEST YEARS Lo más bonito y mis mejores años | Martín Boulocq | co-production: Bolivia/US | 93 min. | 2006
Berto lives in the small Bolivian city of Cochabamba. He wants to leave the country, but without money for a ticket, he decides to sell his prized possession––a 1965 Volkswagen he inherited from his grandfather––with the help of his know-it-all best friend Victor and Camila, Victor’s girlfriend.

Delightfully understated but with great attention to detail, Boulocq’s film is an urban Bolivian fable with a love square at its center––two men, a woman and their car. Its skillfully fractured structure is a counterpoint to the parsimonious rhythm of the friends’ lives and of the city that comes to define them.
35mm print source Elo Audiovisual
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FOUR BAREFOOT WOMEN Cuatro mujeres descalzas | Santiago Loza | Argentina | 90 min. | 2006
Outside, the heat of a suffocating Buenos Aires summer. Inside, four very different women find respite from the weather and their own personal adversities in shared nights of insomnia. As they unveil their common experiences with death, family disintegration, childbirth and love, they find empathy and trust in each other, and succeed in making some sense of their otherwise fragmented and chaotic realities. Loza’s tender and compassionate portrayal of a universe of feminine communion bears imprints of the narrative rigor and subtle observations that characterized his celebrated first film, Extraño (Latinbeat 2003).
35mm print source Bavaria Film International
 
HOW MUCH FURTHER Qué tan lejos | Tania Hermida | Ecuador | 92 min. | 2006
Seeking to explore Ecuador’s “picturesque” landscapes and experience the “third world” adventures promised by her travel guide, Esperanza arrives in the Andean country from her native Spain and runs into Tristeza, a cynical, mistrustful Ecuadorian university student. They soon embark together on a journey to the old colonial town of Cuenca. Along the way, their exchanges with strangers and the companionship they find in each other result in surprising revelations. Thanks to breathtaking cinematography by Armando Salazar, the coastline, countryside and mountains of Ecuador become powerful characters as the women open up to new experiences and the beauty ahead.
35mm print source Karma Films S.L.
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