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Latin American cinema has come a long way since 1997 marked the debut of LATINBEAT, a yearly film series presented by the FILM SOCIETY OF LINCOLN CENTER every September in New York City. The prestigious film program will tour Spain during 2008. |
FILMOTECA CANARIA, Spain |
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NEVER ON A SUNDAY Morirse en domingo | Daniel Gruener | Mexico | 120 min. | 2006 | |
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After a long illness, Justo Salas has the bad judgment to die at home on a Sunday, when all the mortuaries are closed. His family is forced to hire––and pay through the nose for––a “buzzard,” an office clerk who can be bribed to allow for funeral and cremation services. Plenty of complications ensue. 35mm print source Altavista Films To watch trailer CLICK |
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FOUR BAREFOOT WOMEN Cuatro mujeres descalzas | Santiago Loza | Argentina | 90 min. | 2006 | |
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Outside, the heat of a suffocating Buenos Aires summer. Inside, four very different women find respite from the weather and their own personal adversities in shared nights of insomnia. As they unveil their common experiences with death, family disintegration, childbirth and love, they find empathy and trust in each other, and succeed in making some sense of their otherwise fragmented and chaotic realities. Loza’s tender and compassionate portrayal of a universe of feminine communion bears imprints of the narrative rigor and subtle observations that characterized his celebrated first film, Extraño (Latinbeat 2003). 35mm print source Bavaria Film International |
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MUTUM | Sandra Kogut | Brazil | 95 min. | 2007 | |
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This adaptation of João Guimarães Rosa’s Campo Geral is a calm, reflective and tender ode to a child’s loss of innocence. Ten-year-old Thiago lives with his family on an isolated farm in Minas Gerais, Brazil (Mutum is the name of the remote area in the Sertão, but it also refers to someone who does not talk). Unaware that he is nearsighted, Thiago is only interested in what is within reach. But his sensitivity allows him to see the emotional displays around him with painful clarity. Separations and betrayals force him to slowly develop a new awareness of the complexity of human relationships, while his bedtime conversations with his brother reveal a fresh curiosity about life’s serious questions. Kogut captures their innocence with playful solemnity, and her plotting of the story allows us to see the landscape surrounding Thiago just as it reveals itself to him in unexpected ways. 35mm print source TF1 International To watch trailer CLICK |
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THE MOST BEAUTIFUL OF MY VERY BEST YEARS Lo más bonito y mis mejores años | Martín Boulocq | co-production: Bolivia/US | 93 min. | 2006 | |
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Berto lives in the small Bolivian city of Cochabamba. He wants to leave the country, but without money for a ticket, he decides to sell his prized possession––a 1965 Volkswagen he inherited from his grandfather––with the help of his know-it-all best friend Victor and Camila, Victor’s girlfriend. Delightfully understated but with great attention to detail, Boulocq’s film is an urban Bolivian fable with a love square at its center––two men, a woman and their car. Its skillfully fractured structure is a counterpoint to the parsimonious rhythm of the friends’ lives and of the city that comes to define them. 35mm print source Elo Audiovisual To watch trailer CLICK |
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A TON OF LUCK Soñar no cuesta nada | Rodrigo Triana | Colombia | 96 min. | 2006 | |
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Based on a true story, A Ton of Luck is an insightful validation of an age-old piece of advice: if it’s too good to be true, it probably is. A battalion of anti-guerilla forces on a rescue mission in the jungles of Caqueta stumbles on a massive stash of drug money. Believing the find will change their lives forever, the soldiers divide the cash––without any way of getting it back to civilization. Rodrigo Triana’s film runs over with humor, absurd plot twists and tragic spins, which led the film to box office success in Colombia. A powerful and unforgettable look at human nature, greed and the dangers of the all-too-easy opportunity. 35mm print source Eurocine Films To watch trailer CLICK |
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HOW MUCH FURTHER Qué tan lejos | Tania Hermida | Ecuador | 92 min. | 2006 | |
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Seeking to explore Ecuador’s “picturesque” landscapes and experience the “third world” adventures promised by her travel guide, Esperanza arrives in the Andean country from her native Spain and runs into Tristeza, a cynical, mistrustful Ecuadorian university student. They soon embark together on a journey to the old colonial town of Cuenca. Along the way, their exchanges with strangers and the companionship they find in each other result in surprising revelations. Thanks to breathtaking cinematography by Armando Salazar, the coastline, countryside and mountains of Ecuador become powerful characters as the women open up to new experiences and the beauty ahead. 35mm print source Karma Films S.L. To watch trailer CLICK |
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