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SFC EVENTS / SPAIN (UN)CENSORED

THE FILM SOCIETY OF LINCOLN CENTER, New York
ShortMetraje: New short stories from Spain | December 14-18, 2008
GENE SISKEL FILM CENTER, Chicago
FESTIVAL OF NEW SPANISH CINEMA | December 5-29, 2008
UNIVERSITY OF OREGON, Eugene
FESTIVAL OF NEW SPANISH CINEMA | November 17-23, 2008
NORTHWEST FILM CENTER, Portland
FESTIVAL OF NEW SPANISH CINEMA | November 21-December 11, 2008
NORTHWEST FILM FORUM, Seattle
FESTIVAL OF NEW CINEMA FROM SPAIN | November 14-20, 2008
MIAMI INTERNATIONAL FILM FESTIVAL, US
FESTIVAL OF NEW SPANISH CINEMA | November 5-9, 2008
FILMOTECA REGIONAL DE CASTILLA Y LEON, Spain
LATINBEAT: From de Film Society of the Lincoln Center to Spain | November 18-December 23, 2008
FILMOTECA CANARIA, Spain
LATINBEAT: From the Film Society of Lincoln Center to Spain | October 3-17, 2008
FILMOTECA DE CANTABRIA, Spain
LATINBEAT: From the Film Society of Lincoln Center to Spain | July 9- August 17, 2008
CIRCULO DE BELLAS ARTES, Spain
LATINBEAT: From the Film Society of Lincoln Center to Spain | July 15-20, 2008
FILMOTECA REGIONAL FRANCISCO RABAL, Spain
LATINBEAT: From the Film Society of Lincoln Center to Spain | May 20-25, 2008
VARIOUS VENUES, US
DOCUSPAIN: Spanish Documentary Tour | February 15- November 29, 2008
MEDINA DEL CAMPO FILM FESTIVAL, Spain
American Spectrum: Short films from the Americas | April 11-19, 2008
ESCOLA TECNICA SUPERIOR D’ARQUITECTURA DEL VALLES, Spain
Dissensus. Architecture, Politics and Cinema | March 26, 2008
EL MUSEO DEL BARRIO, New York
Latinoamerican Women Celebration | March 5, 2008
BFI SOUTHBANK, London
Spain (Un)censored | January 15 through 17 February, 2008
BFI SOUTHBANK & INSTITUTO CERVANTES, London
Other events celebrating Spain (Un)Censored | January 15 through 17 February, 2008
THE KING JUAN CARLOS I OF SPAIN CENTER, New York
Documenta Spain | February 5- March 25, 2008

BFI Southbank and Instituto Cervantes host a full program of exciting activities to complement the SPAIN (UN)CENSORED film program. 

These include gatherings and lectures with scholars, curators, filmmakers, directors and other remarkable members of Spanish culture. Here a complete list to whet your appetite.

SPAIN (UN)CENSORED is hosted by BFI Southbank during January 15 through 17 February, 2008.

This initiative was premiered at THE MUSEUM OF MODERN ART (MoMA) in New York during October 17- November 5, 2007.


BFI SOUTHBANK, London
Spain (Un)censored retrospective
Study Day
Sight & Sounds presents...
Dissenting Voices exhibit
DATE: January 15 through February 17, 2008
MORE INFO CLICK

INSTITUTO CERVANTES, Londres
Special Screenings:
De Salamanca a Ninguna Parte &
No-Do: Time and Memory
DATE: October 18, 2007. 6pm
MORE INFO CLICK

 
STUDY DAY: SPAIN (UN)CENSORED BFI SOUTHBANK | Saturday 19 January 2008 | 11 a.m.-5 p.m. |
Grounding the season of Spanish cinema in its full historical context, and tracing the paths taken by a generation of film-makers from Nieves Conde to Pilar Miró to resist the forces of propaganda and codify their dissent, the Spain (Un)censored Study Day offers a unique opportunity to deepen your engagement with this rich vein in cinema history, interact with experts in the field, and meet others on the same trip. Additionally the book Breaking the Code: Daring films that mocked the repression in Spain will be presented. Reception to follow. Contributors include Fernando Lara, Director of the Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA) and Dirección General de Cooperación y Comunicación Cultural of the Spanish Ministry of Culture, Professor Paul Preston of the London School of Economics, Dr Núria Triana Toribio of the University of Manchester and Dr Sally Faulkner of the University of Exeter. Full programme details will be available closer to the date at www.bfi.org.uk

ABOUT THE BOOK:
BREAKING THE CODE: Daring films that mocked the repression in Spain is edited by Regional Government of Castile and León, and written by Juan Antonio Pérez Millán, with introductions by María José Salgueiro Cortiñas, Consejera de Cultura y Turismo, Fernando Lara, Director of the Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA) of the Spanish Ministry of Culture and Marta Sánchez, exhibition curator and director of Pragda.


Supported by the Cañada Blanch Centre of Contemporary Spanish Studies, LSE.
Special thanks to Regional Government of Castile and León.
 
SPECIAL SCREENING: DE SALAMANCA A NINGUNA PARTE INSTITUTO CERVANTES | Thursday 22 January 2008 | 6.30 p.m. |
De Salamanca a ninguna parte tells the story of a generation - the so-called “New Spanish Cinema” - that emerged from the Conversations of Salamanca (1955) and which tried to show the social reality of our country. Despite everything, remarkable good films were made: Del rosa al amarillo, by Manuel Summers, 1963; La tía Tula, by Miguel Picazo, 1963; Nueve cartas a Berta, by Basilio Martín Patino, 1965 and La caza, by Carlos Saura, 1965. In those years Patino, Borau, Camus, Picazo, Summers and Saura did something of great importance: a different kind of cinema, more critical, more innovative and personal, values that we now unfortunately miss. The work and legacy of those behind the declarations are examined. FREE.

De Salamanca a ninguna parte
by Chema de la Peña. Spain, 2002, 84’.
Presented by film curator Marta Sanchez and followed by Q & A with director Chema de la Peña.

Reception to follow featuring wines from the Region of Castile and Leon.

In collaboration with the Regional Government of Castile and Leon.
 
SPECIAL SCREENING: NODO- Time and memory INSTITUTO CERVANTES | Tuesday 29 January, 2008 | 6.30 p.m. |
The NO-DO, an acronym of NOticiero DOcumental was a news documentary that was screened compulsorily in Spanish cinemas before the main film between 1942 and 1976. It normally started with “His Excellency the Chief of State, Generalísimo Franco…” The peculiar signature tune and the repeated images of General Franco opening dams remain engraved in the memory of various Spanish generations.

Today, in spite of their propagandistic aims, they manage to convey almost all that they tried to hide, the unique way of thinking of the regime, the abusive presence of the Catholic Church and of the Army in Spanish society and the way they rewarded the audience with broadcasts of the rare sporting triumphs of the poor Spain of that time. FREE.

DVD compilation made by Rafael R. Tranche and Vicente Sánchez-Biosca. Screening selection made by Marta Sánchez.
Edited by Cátedra and Filmoteca Española.

The screening will be introduced by filmmaker José Luis Borau and writer Juan Pedro Aparicio.
 
SIGHT & SOUND PRESENTS...FRANCO’S CHILDREN BFI SOUTHBANK | Thursday 7 February, 2008 | 6.10 p.m. |
The Franco era is a source of enduring fascination for directors working today such as Pedro Almodóvar and Guillermo del Toro. With new laws coming into force bringing past atrocities to light and sanctioning the removal of Francoist symbols from the public sphere, it is timely to investigate the cultural legacy of this repressive regime. Guest speakers including the directors Bigas Luna, Ventura Pons, Paul Julian Smith, and Maria Delgado will discuss how films deal with a painful past, and whether the cinema can make a material difference during and in the aftermath of repressive regimes.
 
DISSENTING VOICES? SPANISH FILMS UNDER FRANCO BFI SOUTHBANK GALLERY | 7 January 2008 - 2 March 2008 | ON-GOING |
Did film flourish in the Spain of General Franco because or in spite of the political climate? Directors often worked in trying circumstances to make their films; some got their message across, some did not. Using a mixture of materials relating to films of the period, we try to provide some insight on the key titles, and the background against which they were made.

The BFI National Archive and BFI National Library are home to thousands of posters, scripts, costumes and other related ephemera...
 
SEASON AND CATALOGUE OFFER | ON-GOING |
Buy tickets for four or more separate screenings during our Spain (Un)censored season and claim a copy of the season catalogue Breaking the Code absolutely FREE. Book online, by phone or in person and claim your book when you are in the venue. Just present four full or concessionary price ticket stubs at the Box Office.

Offer available while stocks last and cannot be used in conjunction with
any other offer.
 
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